There’s an audacity that comes with any creative enterprise. I mean, I don’t think I would have written my first spec script if I had known how unlikely it was to get a writing job. And I don’t think I would have tried creating ARRESTED [DEVELOPMENT] if I really thought “look at the data of what’s already been developed. they won’t make this.” but I should have – that was the evidence that existed. I don’t think I would have included all the stuff about Saddam Hussein in Season 1 if I’d done the math on the likelihood of getting through an entire season to reveal the punchline. And I think that everyone has to jump off that cliff and make that assumption in their own work – because the truth is, even if it doesn’t happen, you have a more interesting life if you’re to sit down and write a novel than doing the math on the likelihood of it getting published.